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copyright © 1998 by Harriet Schock
All material within this website is the property of Harriet Schock and may not be reproduced without written permission from the author
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becoming remarkable
by Harriet Schock
Table of
Contents
- Foreword by Nik Venet
- About the Chapters...
- Acknowledgments
- Introduction
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PART I - INTEGRITY
- Step One: Touch Somebody
- If You're Doing It for the Money, You May Not Make Any
- The Art & Craft of Songwriting
- Songwriters ... A Community
- Do We Know Where We're Coming From?
- Stop and Look at Who's Listening
- Straight Lines
- Reality: The Training Wheels
- Chimera Is Curable
- Writing from the Inside
- Songwriters Say It All
- Art and Romance: An Analogy
- Do You Read?
- Cookies or Newspapers?
- The New Literacy
- Burning Desire to Communicate
- Some Points to View on Viewpoints
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PART II - CLARITY
- Truth vs. Facts in Songwriting
- When Little Things Mean a Lot
- Listen & Learn
- Character Studies
- You Talkin' to Me?
- Judging Your Own Material
- Everyday Treasures
- Finding the Pony
- He Says, She Says
- Listeners Vote for Communication
- That's Entertainment
- Smoke and Mirrors
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PART III - TECHNOLOGY
- Words or Music ... That Is the Question
- Writing Words to Music
- What, Me Study?
- Melody - The Unsung Hero
- The Rhythm of the Melody
- Reading Music
- Playing It by Ear
- Customs & Critics & Rules (Oh, My)
- But What Do Strangers Think?
- Is There Life Between Songs?
- "That Sounds Like It Belongs in a Movie"
- Subject Matters
- Titles: The Heart of the Matter
- You Oughta
Be Write in Pictures
- Writing in the Margins
- Writing in Space
- Playing the Symbols Well
- Cleverness and Subtlety
- Starting with the Song
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| Appendices
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